![]() The idea is to have a common high end target format that each camera maker allows you to render or convert your images into. How does it work?Įach camera is different in the way it captures the image. It’s almost impossible to clip or limit color while grading in ACES. As you can see in the graph below it’s larger then DCI. The ACES color space is based on a theoretically unlimited color space defined in XYZ coordinates. ![]() The idea is that this pipeline will be manufacturer independent and of course HDR compatible. The ACES system has been created by the Academy of Motion Picture Arts & Science technology committee in order to achieve a more accurate color pipeline, regardless which camera you are using.
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